By Jeff Franks RIO GRANDE CITY, Texas (Reuters) - Mauro Morales has chickens in his yard, deer antlers hanging from the fence and a shed full of peyote behind his house. A slight, balding man in his 60s, Morales is one of just three ''peyoteros'' in...

By Jeff Franks RIO GRANDE CITY, Texas (Reuters) - Mauro Morales has chickens in his yard, deer antlers hanging from the fence and a shed full of peyote behind his house. A slight, balding man in his 60s, Morales is one of just three ''peyoteros'' in...

By Jeff Franks RIO GRANDE CITY, Texas (Reuters) - Mauro Morales has chickens in his yard, deer antlers hanging from the fence and a shed full of peyote behind his house. A slight, balding man in his 60s, Morales is one of just three ''peyoteros'' in...

Baltimore club, also called Baltimore breaks, Baltimore house, knucklehead, thump and Dew Doo beat, is a genre of house and dance music. A blend of hip hop and house, it was created in Baltimore, Maryland in the early 1990s by Scottie B., Frank Ski, Big Tony, and DJ Spen and has since been performed by artists such as DJ BOOMAN, Rod Lee, KW Griff, Say-Wut, Rod Braxton, Karizma, D.J. Technics, D.J. Phinesse, Diamond K, DJ Patrick, and DJ Kenny B.Baltimore club is based off an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to ghetto house with vocal samples from television shows like Sanford and Son and SpongeBob SquarePants, and also includes heavy breakbeats and call and response stanzas similar to those found in the go-go music of Washington, D.C.. More often than not, the breakbeats are pulled from two records: "Sing Sing" by Gaz, and "Think (About It)" by Lyn Collins. Much like the rave-era sub-genre of techno music known as breakbeat hardcore, Baltimore club sounds as if the music was purposely produced in a hurried manner, as each song is made with a limited palette of sounds and is based on similar frameworks.